Genom att dra nytta av sin egen erfarenhet av att bebo en vit värld som en icke-vit kropp undersöker feministen och teoretikern Sara Ahmed hur vitheten blir ?världslig?, hur vithet är resultatet av en rasifiering som skapar ramarna för vad kroppar ?kan göra?. 11 In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Reading novels and films including Mrs. Dalloway, The Well of Loneliness, Bend It Like Beckham, and Children of Men, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Her research is concerned with how bodies and worlds take shape; and how power is secured and … has now gone into production and should be out … In developing a theory of the cultural politics of emotion, Sara Ahmed focuses on the relationship between emotions, … Ett bärande tema är hennes analyser av hur vitheten lyckas upprätthålla sin hegemoni också genom antirasistiska strävanden och mångfaldsprojekt. In developing a theory of the cultural politics of emotion, Sara Ahmed focuses on the relationship between emotions, language and bodies. One history of will is a history of attempts to eliminate willfulness from the will. On Being Included offers a critique of what happens when diversity is offered as a solution. How do emotions move us or get us stuck? Commitments to diversity are understood as "non-performatives" that do not bring about what they name. “At a time when happiness studies are all the rage and feminism is accused of destroying women’s happiness, Sara Ahmed offers a bold critique of the consensus that happiness is an unconditional good. You can also find posts sharing data from my project on feministkilljoys.com. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry. What does diversity do? Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. In Willful Subjects Sara Ahmed explores willfulness as a … Ahmed posits queer use as a way of reanimating the project of diversity work as the ordinary and painstaking task of opening up institutions to those who have historically been excluded. Delving into philosophical and literary texts, Ahmed examines the relation between will and willfulness, ill will and good will, and the particular will and general will. ), What does diversity do? Sara Ahmed continues the work she began in The Promise of Happiness and Willful Subjects by taking up a single word—in this case, use—and following it around. Sara Ahmed (Author) › Visit Amazon's Sara Ahmed Page. . Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed … BEING IN TROUBLE: IN THE COMPANY OF JUDITH BUTLER (2015) ‘Being in Trouble: In the Company of Judith Butler, Lambda … 137 . ), ( In Willful Subjects Sara Ahmed explores willfulness as a charge often made by some against others. Audible Audiobook Compare Prices. In Willful Subjects Sara Ahmed explores willfulness as a charge often made by some against others. Queer Phenomenology points queer theory in bold new directions. ). New for this editionA substantial 15,000-word Afterword on 'Emotions and Their Objects' which provides an original contribution to the burgeoning field of affect studiesA revised BibliographyUpdated throughout. Diversity is an ordinary, even unremarkable, feature of institutional life. 4 Sara Ahmed continues the work she began in The Promise of Happiness and Willful Subjects by taking up a single word—in this case, use—and following it around. It also shows how diversity workers generate knowledge of institutions in attempting to transform them. 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